Multiple Vignette Techniques in Aperture 3
The vignette is a common and simple technique to add to any photo. It burns (darkens) the edges around a photo, making the center appear brighter, and therefore draws the viewers attention to the center of the frame. Used subtly and well, your viewer is unlikely to notice the vignette. There are times however where a single vignette adjustment doesn’t quite give you enough control. This is where Derrick’s technique comes in.
The double vignette
First let’s give credit where it’s due… this technique came to me from Derrick Story of thedigitalstory.com, and he suggested that I expand on it. There’s no need to duplicate what he’s already said, as you can read all about that in his post, “The Double Vignette Technique in Aperture 3”. Derrick’s focus is on using multiple Vignette adjustments to control the gradation of the effect.
The heavy-handed single vignette
There are times to overcook the effect, making an obvious dark ring around the image, and that in itself can be an effective look as well—especially when trying to mimic a look of older cameras with wide lenses, where a vignette was just a fact of life. Or a very heavy vignette can be used to obscure pretty much all distracting content around the edges of your scene. In the examples below, you can see a vignette applied to the extreme. In fact the Aperture Vignette “Intensity” adjustment is set to 5.15, done by click-dragging on the numbers themselves (the slider only goes to 1.0!). This look was achieved with a single Vignette adjustment.
The brushed multiple vignette
Another application for using multiple vignettes is when you need a different intensity on one part of the image over another. In Aperture, you can’t control the center point nor the shape of the vignette, nor can you make the intensity on one side different than another. However what you can do is apply multiple Vignette adjustments, brushing them in and out to achieve the look you want. This can come in especially handy on a wide crop, where a circular vignette simply can’t touch the top and bottom without obliterating the sides.
In this first photo, the sky is vignetted the way I want it, but the sides of the image are clearly way too intense. The cars on the edges are almost completely hidden!
The easy solution is to just brush away the effect on the sides. Click on the gear menu and choose “Brush vignette away”.
Here’s a screenshot of the effect brushed out, followed by the image itself. In the screenshot, the red overlay shows where the vignette is applied, and where it’s not red, the vignette has been brushed away. Notice that I didn’t have to actually follow the curve of the vignette—all that matters here is that the vignette is removed from the bottom half, and if you look closely, you’ll see that it’s gradually faded up around the sides to ease the transition from vignetted to non-vignetted.
However this image isn’t complete, because it does still need a little vignetting on the bottom half—just not as much as on the top. So, all you need to do is add another Vignette adjustment by choosing “Add New Vignette adjustment” from the gear menu, adjust that to taste, and brush it in where you want.
Here’s a version of the photo with two Vignette adjustments applied, with different intensities on top and bottom, each brushed into the necessary areas.